Tag: poetry

what a difference an ‘a’ makes

I apologise for that appalling pun. Had to be done. If you’re still speaking to me, have a look at this poem, ‘A Bitterness’ (here), then think about what it would feel like with even only a slight change in the title—’Your bitternesss’, or just ‘Bitterness’, or even ‘The Bitterness’? Wouldn’t that make it a really different poem?

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yes, please

Something to move and comfort us today, a poem nourishing and everyday-special as homemade soup. Naomi Shihab Nye’s ‘Kindness’ actually mentions soup, but her poem is not the ‘weakened broth’ to which it refers. No, this is a complete meal. It’s tender and wise and lives up to its name. You can read it here or hear the poet read it here.

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westward, look…

I left you last week with the promise of handrails and lifelines. Ta-daa! Here they are: ‘Say not the struggle nought availeth’, another poem straight out of the C19th’s death-throes-of-faith anguish which has, however, long performed the handrail/lifeline functions for me. You can read the poem here and or last week’s reader can read it for you here. Alternatively, Derek Jacobi reads it here; I much prefer his reading but could do without the music. The poem is there to create the mood all by its little self, after all. However… See what you think.

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handrails and lifelines and emergency lanterns

In an article in The Times in 2016 Libby Purves wrote of how ‘[p]eople have been through everything before us and some, by great grace, have recorded it with undying power. English-speakers are particularly lucky,’ she continued, ‘since some of the very best have done this in our fabulously hybrid, magpie language… [Poets] have crafted handrails and lifelines and emergency lanterns. They reassure us that others walked this hard trail and lived to express it’.

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‘there’s nothing either good or bad,

but thinking makes it so’. A trio of poems which see the coming of the new year from very different places. First, we have Ogden Nash’s ‘Good riddance, but now what‘, which finds the poet in characteristically wry mood. The apparent cosiness of the opening invitation—’Come children, gather round my knee’—is soon dispelled with the imagery of something ‘about to burst/… like a time bomb in the hall’. It brings to mind Dorothy Parker’s notorious way of greeting visitors or answering the phone: ‘What fresh hell is this?’. I love the fact that here Nash has the clock ‘crouching, dark and small’—small, as a bomb is, in relation to the size of the destruction it can wreak. Assume brace position. Be ready to duck. I can certainly recognise in myself a mood where I look at the future with that sort of attitude.

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the stickleback has landed

What on earth is she talking about? you may be wondering.
The Stickleback series is the collection of micro-pamphlets published by Hedgehog Press. Mine, wish you were here, has arrived from the publishers.
Much excitement. First edition, hot off the press and all that.

If you’d like a copy, get in touch via the contact form, and I’ll get back to you.

what did I know, what did I know…?

It’s a time of year when, in the West at least, we’re surrounded by images of families: usually shiny-haired and smiling ones, deployed in warm-jumpered rows on bouncy new sofas (“delivered in time for Christmas”) and sharing some ecstatic experience of shopping, gaming or no ordinary food. But it’s a poem about the ordinary extraordinariness of love which has been very much in my mind, in the last week or so, and not just because it’s cold. Here it is: Robert Hayden’s ‘Those Winter Sundays‘. (You can hear the poet himself read it here.)

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‘the centre cannot hold…’

For me, it’s got to be ‘The Second Coming‘ as poem of the day today (hear Dominic West read it here). Election day in the UK, and a sense of no good news ahead, whether nationally or globally… The poem’s cascade of nightmarish images strikes fear into me; or rather, makes visible the fear that is already there. Bits of the poem have echoed round my mind often over these last few years, offering a sort of grimly reassuring sense that dread is, if nothing else, a shared experience. Doom has impended before; feels impending now; and seems likely to continue to impend until it breaks, or cracks, or whatever it is that doom does when it’s no longer future but present tense.

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‘we read to know we are not alone’

As anyone knows who’s been to a workshop or event I’ve facilitated (or follows what the afternoon knows), this is something I bang on about a lot. I’m unapologetic about it, though, because it’s such an important dimension of reading (and indeed experiencing any kind of art). Surely anything that pierces our loneliness—whether from each other or from (parts of) ourselves—is worth celebrating? So today I want to think about how reading helps us know we are not alone, and do so in relation to the understated but marvellous poem ‘Things’ by Fleur Adcock.

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reading poems, reading us

Last week we were talking about how Gilbert’s ‘Failing and Flying’ makes visible all sorts of assumptions embedded in our (Western) culture. This week, I want to think about how reading makes visible things inside ourselves, which we may or may not have been aware of. And I want to start with what I think is a remarkable poem, written by my 13 year old goddaughter. It formed the front page of a card she sent me a few weeks ago. Here it is:

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