Apr 9, 2020
apocalypse, corona virus, Covid 19, destruction, Edwin Muir, end of days, holocaust, hope, Muir, natural world, nature, nuclear war, redemption, Revelation, salvation, The Horses
by Lucy Crispin
There is good stuff in amongst all the strangeness at the moment, as a lot of people are noting. Some are doing so with a vim and perkiness which I find quite annoying—I rarely find Uplift uplifting—but it’s good to hear the quieter, less trumpety tales. And to notice things, too. Driving up to Scotland last week I was moved to see an oystercatcher walking across the M6 in front of me. I’m kinda glad the world is getting a rest from us.
‘The Horses‘ by Edwin Muir is one of the poems which has been echoing round my mind these last few weeks. Though it offers a post-apocalyptic vision it’s not an unmitigatedly doomy one, and I don’t offer it with a gloomy sense of prophecy. Rather, it’s because I’ve been aware of how strange and lovely I am finding the current silence, or relative silence, on my (rare and legitimate, guv’nor) sorties into the outside world. And silence is what Muir’s poem opens with. (Here are a couple of readings of it, too, one much more fruity and declamatory than the other. See what you think.)