It might seem a bit strange to claim “lantern-hood ” for this poem, which insists on the necessity of experiencing the dark “properly”; that is to say, without light. But it’s true. This short piece by Wendell Berry (like a lot of his stuff) shines a light for me, and helps me carry on walking. Read it here.
Read MoreGiven the state of the world at the moment, it’s perhaps not surprising that there’s a plethora of books about with titles like The Happiness Project, The Happy Life Formula and Happiness: a Guide to Developing Life’s Most Important Skill. Hmmmm. Sounds like it might be a lot of work, even if you do buy into the idea that we can make ourselves feel any given way.
Read MoreI left you last week with the promise of handrails and lifelines. Ta-daa! Here they are: ‘Say not the struggle nought availeth’, another poem straight out of the C19th’s death-throes-of-faith anguish which has, however, long performed the handrail/lifeline functions for me. You can read the poem here and or last week’s reader can read it for you here. Alternatively, Derek Jacobi reads it here; I much prefer his reading but could do without the music. The poem is there to create the mood all by its little self, after all. However… See what you think.
Read MoreIn an article in The Times in 2016 Libby Purves wrote of how ‘[p]eople have been through everything before us and some, by great grace, have recorded it with undying power. English-speakers are particularly lucky,’ she continued, ‘since some of the very best have done this in our fabulously hybrid, magpie language… [Poets] have crafted handrails and lifelines and emergency lanterns. They reassure us that others walked this hard trail and lived to express it’.
Read Morebut thinking makes it so’. A trio of poems which see the coming of the new year from very different places. First, we have Ogden Nash’s ‘Good riddance, but now what‘, which finds the poet in characteristically wry mood. The apparent cosiness of the opening invitation—’Come children, gather round my knee’—is soon dispelled with the imagery of something ‘about to burst/… like a time bomb in the hall’. It brings to mind Dorothy Parker’s notorious way of greeting visitors or answering the phone: ‘What fresh hell is this?’. I love the fact that here Nash has the clock ‘crouching, dark and small’—small, as a bomb is, in relation to the size of the destruction it can wreak. Assume brace position. Be ready to duck. I can certainly recognise in myself a mood where I look at the future with that sort of attitude.
Read MoreFor me, it’s got to be ‘The Second Coming‘ as poem of the day today (hear Dominic West read it here). Election day in the UK, and a sense of no good news ahead, whether nationally or globally… The poem’s cascade of nightmarish images strikes fear into me; or rather, makes visible the fear that is already there. Bits of the poem have echoed round my mind often over these last few years, offering a sort of grimly reassuring sense that dread is, if nothing else, a shared experience. Doom has impended before; feels impending now; and seems likely to continue to impend until it breaks, or cracks, or whatever it is that doom does when it’s no longer future but present tense.
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